Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.  Related Paintings of Bartolome Esteban Murillo :. | Christ healing the Paralytic at the Pool of Bethesda | The Holy Family with a Little bird | St. Isidoro, Cathedral of Seville | Jesus, those who treat paralysis | The Little Fruit Seller |
Related Artists:
Franz Roubaud
was a Russian painter who created some of the largest and best known panoramic paintings. Roubaud was born on 15 June 1856 in Odessa and attended an art school there. In 1877 he went to Munich, where he studied at the Munich Academy. He then settled in Saint Petersburg, working in the Imperial Academy of Arts and painting huge panorams of historical battles - Storm of Achulgo (1896, Tiflis, now under the restoration in the museun of graphic arts in Makhachkala), Siege of Sevastopol (1854) (unveiled in 1905, damaged during the Siege of Sevastopol (1942), restored in the 1950s), Battle of Borodino (1911, moved to Poklonnaya Hill in Moscow in 1962) and the Russo-Persian War (1804-1813). His works were so large that they had to be exhibited in pavilions specially built for that purpose. In 1913, Roubaud left Russia for Munich, where he died on 13 March 1928.
Angelo Bronzino
(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.
Domenico Maggiotto
painted The Fruit Girl in 1745 - 1770